Chad VanGaalen’s record, ‘Shrink Dust’, is now available on Sub Pop Records.

Order:
Sub Pop: u.subpop.com/1d56x6d
iTunes: itunes.apple.com/us/album/shrink-dust/id796732956
Amazon: www.amazon.com/Shrink-Dust-Chad-…len/dp/B00I6S48RO

www.subpop.com/artists/chad_vangaalen
www.facebook.com/ChadVangaalen
twitter.com/chadvangaalen
instagram.com/chadvangaalen#

Subscribe To Sub Pop’s YouTube Channel www.youtube.com/user/subpoprecords
Sub Pop Records www.subpop.com
Follow Sub Pop on Twitter twitter.com/subpop
Like Sub Pop on Facebook www.facebook.com/subpoprecords
Follow Sub Pop on SoundCloud @subpop

Dear Friend,
A few days ago I posted an image of a woman giving birth. It was my birthday, and it was me(a)nt as a celebration and a tribute to the woman, to my mother and to life in general. It is one of my very first photographs from Greenland and an experience that I will always keep with me. I wanted to share it with you, but Facebook took it away and banned me from posting in the future. October 10, 2013 Jacob Aue Sobol
 

Dear Friend,

A few days ago I posted an image of a woman giving birth. It was my birthday, and it was me(a)nt as a celebration and a tribute to the woman, to my mother and to life in general. It is one of my very first photographs from Greenland and an experience that I will always keep with me. I wanted to share it with you, but Facebook took it away and banned me from posting in the future. October 10, 2013 Jacob Aue Sobol

 

Orson WELLES and Anthony PERKINS.  "The Trial". 1967. Orson WELLES and Anthony PERKINS.  "The Trial". 1967. Orson WELLES and Anthony PERKINS.  "The Trial". 1967. Orson WELLES and Anthony PERKINS.  "The Trial". 1967.

Orson WELLES and Anthony PERKINS.  "The Trial". 1967.

 ”The Misfits”. Marilyn MONROE.  ”The Misfits”. Marilyn MONROE.  ”The Misfits”. Marilyn MONROE.  ”The Misfits”. Marilyn MONROE.

 ”The Misfits”. Marilyn MONROE.

The 20th Century Fox studios during filming of Planet of the Apes, Hollywood. The 20th Century Fox studios during filming of Planet of the Apes, Hollywood.

The 20th Century Fox studios during filming of Planet of the Apes, Hollywood.

USA. California. Hollywood. 1952. Buster KEATON (left) and Charlie CHAPLIN (right) during the shooting of the movie “Limelight”.

American folk singer, songwriter and activist Pete Seeger has died at the age of 94.

American folk singer, songwriter and activist Pete Seeger has died at the age of 94.

MOROCCO. 1949. Orson Wells on the set of The Black Rose. Photo by Robert Capa

MOROCCO. 1949. Orson Wells on the set of The Black Rose. Photo by Robert Capa

April 7th, 2014 marks the 20th anniversary of the beginning of the Rwandan Genocide.  April 7th, 2014 marks the 20th anniversary of the beginning of the Rwandan Genocide. 

April 7th, 2014 marks the 20th anniversary of the beginning of the Rwandan Genocide. 

USA. South Carolina. 2011. A dummy used for a Combat Lifesaver Training course. The dummy pumps faked bl

“In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not believe us,’ he told me.With more than a hundred thousand people interned in psychiatric asylums all over Italy, the situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed these places of pain to preserve them in memory and to pay tribute to Franco Basaglia – who died from a sudden illness in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later – after a long pause – that I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon “In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not believe us,’ he told me.With more than a hundred thousand people interned in psychiatric asylums all over Italy, the situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed these places of pain to preserve them in memory and to pay tribute to Franco Basaglia – who died from a sudden illness in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later – after a long pause – that I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon “In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not believe us,’ he told me.With more than a hundred thousand people interned in psychiatric asylums all over Italy, the situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed these places of pain to preserve them in memory and to pay tribute to Franco Basaglia – who died from a sudden illness in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later – after a long pause – that I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon “In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not believe us,’ he told me.With more than a hundred thousand people interned in psychiatric asylums all over Italy, the situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed these places of pain to preserve them in memory and to pay tribute to Franco Basaglia – who died from a sudden illness in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later – after a long pause – that I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon “In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not believe us,’ he told me.With more than a hundred thousand people interned in psychiatric asylums all over Italy, the situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed these places of pain to preserve them in memory and to pay tribute to Franco Basaglia – who died from a sudden illness in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later – after a long pause – that I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon “In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not believe us,’ he told me.With more than a hundred thousand people interned in psychiatric asylums all over Italy, the situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed these places of pain to preserve them in memory and to pay tribute to Franco Basaglia – who died from a sudden illness in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later – after a long pause – that I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon

“In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not believe us,’ he told me.

With more than a hundred thousand people interned in psychiatric asylums all over Italy, the situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.

For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed these places of pain to preserve them in memory and to pay tribute to Franco Basaglia – who died from a sudden illness in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later – after a long pause – that I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon

PERU. 1970. On the set of “The Last Movie” directed by Dennis HOPPER.